Time Travelers United logo Time Travelers United
Restoration Project
Home › Norwegian

Norwegian

Recorded in Oslo, Bergen and abroad, 1900s–1930s

The shelf holds published sides from a vault tagged Norwegian. The years that appear on the discs are 1917, 1922, 1925 and 1926. Rights classification is sparse: only a few sides are firmly pre-1923, some fall in the 1923–46 gray band, and the majority remain unknown.

Two sides carry Grieg: a Norwegian Bridal Procession and a Norwegian Dance, the latter with the violinist Carl Flesch. The London Symphony Orchestra takes four sides of the Norwegian Dances, Op. 35; the BBC Wireless Symphony Orchestra plays the Norwegian Rustic March from the Lyric Suite; Maurice Cole records the Norwegian Bridal Procession; and Carl Flesch, with Kurt Ruhrseitz, gives a Norwegian Dance. Mabel Garrison’s 1917 Norwegian Echo Song (“Kom Kjyra!”) stands among the earliest dated pieces.

Norwegian-language titles fill out the rest. Det kongelige Kapel appears in Svendsen’s Norsk Kunstnerkarneval, Erling Krogh’s Kvartett in a Norsk Potpourri, Guldbergs akademiske kor in Brudefærden på Hardanger, Zetterström & Kristoffersen in Den norske Fiskermann, and Holck og Peters’ Harmonikaorkester in a sailor’s song. Herr Johan Elsmo supplies a Norsk Bondevals and an Old Norwegian Rheinländer. Across these sides the title words lean toward orchestra, dance, march and song.

21 restored recordings 1917–1926 date range
The tradition

About this hearth

Recording in Norwegian cities documented both rural dance repertories and national-romantic concert arrangements, with additional sides made by Norwegians abroad. The hardingfele’s sympathetic strings and related fiddle styles anchor much traditional instrumental music; vocal sides include lyrical folk song and newer popular forms with piano or small ensemble. Choral culture and rural dance gatherings both fed the catalogues. The records offer a clear if selective view of Norwegian sound before wartime disruption.

Recorded in: Oslo, Bergen

The people behind the sound

The music-makers and the dress

9 period photographs of this hearth's own music-makers and dress, every one dated from its source's own records. Pictures are shown as documentary record, credited to the holding collection; anything here is removed on request. Sources: Wikimedia Commons (9).

Press any photograph to open it full size — the player keeps going behind it.

Listen

Restored Recordings

Every track below is a remaster. Press play on the full sequence, or pick a single recording.

▶ Play all 21 restored recordings Continuous playlist — plays straight through

Brudefarden pa Hardanger

Guldbergs akademiske kor, Arild Sandvold, Halfdan Kjerulf

DEN NORSKE FISKERMANN

ZETTERSTRÖM & KRISTOFFERSEN, Jonas

Gammel norsk Jægermarsch af Schølberg

Grammophon-Orkester, Kristiania, Schølberg

Gammel norsk Rheinlænder

Herr Johan Elsmo

Norsk bondepolka

Klarinet-solo

Norsk Bondevals

Herr Johan Elsmo

NORSK FJELDMARSCH

FOLKEDANSEORKESTRET

Norsk Kunstnerkarneval, Opus 14

Det kongelige Kapel, Johan S. Svendsen, SV. CHR. FELUMB

Norsk Potpourri

ERLING KROGH'S KVARTETT, Fr. Kristoffersen

Norsk Sjömandsvise

Holck og Peters' Harmonikaorkester, Helge Leonhard

NORWEGIAN BRIDAL PROCESSION Op. 19, No. 2

MAURICE COLE, Grieg · 1925

Norwegian Dance, Op. 35, No. 2

Carl Flesch, Kurt Ruhrseitz, Edvard Grieg · 1926

Norwegian Dances Op. 35 No. 4 Allegro Molto (in D)

London Symphony Orchestra · 1925

Norwegian Echo Song ("Kom Kjyra!")

Mabel Garrison, H. A. Bjerregaard, W. Thrane · 1917

About the restoration

Every recording here is a historical track sourced from a public archive and remastered through a purpose-built chain — the same fixed chain for every file, no machine-learning enhancement. The aim is simple: sound better, and meet YouTube's audio standards. Rights status differs per recording and sources are credited where known; anything still in copyright is published with attribution and removed on request. The surface noise of the original transfer is still audible, because removing it completely would mean removing the recording too. How the restoration works →